This guide is aimed at helping museums, galleries and other art industry professionals who need to find handling services. Union art handlers are professionals who are trained in the field of moving and handling artworks. They are commonly employed across the gallery and museum sector and may also be hired by private art collectors.
There are certainly a wide range of benefits available for an art handler who is working as part of a union. After all this job may require much manual labor and heavy lifting so having the support of a union can be very valuable if in the unfortunate event an injury occurs. As well a lot of members of art handler unions may be able to take advantage of a wide range of resources, some of which are described below.
In addition, the important issue of protecting artworks that may be extremely valuable or even priceless requires extensive training and experience to deal with appropriately. An organized institutions which allows handlers to train, to build their skills and to find jobs is of great benefit for union members and employers alike. To follow are some suggestions for how handlers are employed across the country.
There are handlers who are working in a great array of institutions from art museums and galleries to universities and banks. Any group or individual that owns an art collection may have a reason to employ a handler who is experienced and reputable. It is common to find a large population of art handlers working in cities that hold large cultural collections in museums and galleries. Some examples include Washington D. C. New York City and Tokyo.
The ways that art handlers are able to help are extremely broad and varied. For example they might provide help with packing and transport of works. In fact there are many institutions and private collectors that regularly offer items from their collection on loan to other venues. Thus there are works of art constantly circulating around the world with touring exhibitions.
It is easy to understand why being able to pack and transport works safely is a key skill. It can go a long way towards preventing damage and loss, a major concern for these institutions and private collectors. One other area where handlers regularly work is in installation.
In fact the installation of works can range from hanging framed paintings, to installing large scale sculptures safely. On that front it requires extensive knowledge of how to hang, install and display works in order that they do not risk harm to visitors. This may require bolting and securing sculptures and hanging pieces to floors, walls or ceilings.
From the article above it is clear that there are a great number of ways that handlers employ their skills in their sector. The back up of a union is thus very valuable. In addition to providing support in the event of dispute or other issues with an employer, the union also provides help with training opportunities. In fact lots of members regularly visit the website of unions to get information on education and career development.
There are certainly a wide range of benefits available for an art handler who is working as part of a union. After all this job may require much manual labor and heavy lifting so having the support of a union can be very valuable if in the unfortunate event an injury occurs. As well a lot of members of art handler unions may be able to take advantage of a wide range of resources, some of which are described below.
In addition, the important issue of protecting artworks that may be extremely valuable or even priceless requires extensive training and experience to deal with appropriately. An organized institutions which allows handlers to train, to build their skills and to find jobs is of great benefit for union members and employers alike. To follow are some suggestions for how handlers are employed across the country.
There are handlers who are working in a great array of institutions from art museums and galleries to universities and banks. Any group or individual that owns an art collection may have a reason to employ a handler who is experienced and reputable. It is common to find a large population of art handlers working in cities that hold large cultural collections in museums and galleries. Some examples include Washington D. C. New York City and Tokyo.
The ways that art handlers are able to help are extremely broad and varied. For example they might provide help with packing and transport of works. In fact there are many institutions and private collectors that regularly offer items from their collection on loan to other venues. Thus there are works of art constantly circulating around the world with touring exhibitions.
It is easy to understand why being able to pack and transport works safely is a key skill. It can go a long way towards preventing damage and loss, a major concern for these institutions and private collectors. One other area where handlers regularly work is in installation.
In fact the installation of works can range from hanging framed paintings, to installing large scale sculptures safely. On that front it requires extensive knowledge of how to hang, install and display works in order that they do not risk harm to visitors. This may require bolting and securing sculptures and hanging pieces to floors, walls or ceilings.
From the article above it is clear that there are a great number of ways that handlers employ their skills in their sector. The back up of a union is thus very valuable. In addition to providing support in the event of dispute or other issues with an employer, the union also provides help with training opportunities. In fact lots of members regularly visit the website of unions to get information on education and career development.
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